This afternoon hung the nine group shots and title from "One Day in Flat Iron Square" at Island Cafe. Will try and organise a low key party opening thing soon -
1 Flat Iron Square, Union Street, London SE1 0AB.
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Friday, 14 September 2012
Tuesday, 11 September 2012
people looking at photographs
on a first look through I was most struck by Strategies for Survival by Jennifer Kover - www.voiceofthegrain.com/Jennifer.php and the Residents by Dominic Harris www.voiceofthegrain.com/Dominic.php
I came back for the talk - "a panel conversation chaired by Dr. David Bate, course leader of MA photographic studies University of Westminster. Panel members include Dr Marco Bohr, photographer, academic and writer on visual culture and lecturer in Visual Communication at Loughborough University. Sophy Rickett, Artist and Senior Lecturer in Photography London College of Communication Dr Daniel Rubinstein, critical theorist, writer, photographic artist and programme leader for photography at London South Bank University, and Eti Wade, photographic artist and senior lecturer and head of the MA Photography at University of West London."
marco bohr blog - questions and queries - photography and digital communities - images old and new - recycled and appropriated - Doug Rickard and Michael Woolf (?) google street view
what is the work?
what is the photograph?
authorship - intention - production - interpretation
photographs as witness to - looking at the process that's set in motion
haptic photogra[hs - zooming iPad
gap between gallery and real life
frames and prints - who cares about them?
now the world is constructed from screens
we arre formed and produced by the technology
how where they produced? once the process was laid bare - now it's kept a digital secret
fetishising tragedy -
bring back the author
a process of making - gesture
the gallery as antidote to the storm of the internet
releasing the photograph from the burden of being visual
travellers of the network
knowledge vs information
slowness of the process
the voice of the grain
I came back for the talk - "a panel conversation chaired by Dr. David Bate, course leader of MA photographic studies University of Westminster. Panel members include Dr Marco Bohr, photographer, academic and writer on visual culture and lecturer in Visual Communication at Loughborough University. Sophy Rickett, Artist and Senior Lecturer in Photography London College of Communication Dr Daniel Rubinstein, critical theorist, writer, photographic artist and programme leader for photography at London South Bank University, and Eti Wade, photographic artist and senior lecturer and head of the MA Photography at University of West London."
marco bohr blog - questions and queries - photography and digital communities - images old and new - recycled and appropriated - Doug Rickard and Michael Woolf (?) google street view
what is the work?
what is the photograph?
authorship - intention - production - interpretation
photographs as witness to - looking at the process that's set in motion
haptic photogra[hs - zooming iPad
gap between gallery and real life
frames and prints - who cares about them?
now the world is constructed from screens
we arre formed and produced by the technology
how where they produced? once the process was laid bare - now it's kept a digital secret
fetishising tragedy -
bring back the author
a process of making - gesture
the gallery as antidote to the storm of the internet
releasing the photograph from the burden of being visual
travellers of the network
knowledge vs information
slowness of the process
the voice of the grain
Sunday, 9 September 2012
The Kiss


Rodin's The Kiss @ Turner Contemporary in Margate. A tedious use of gallery space from Tracy Emin. Mark Wallinger saves the day with an intriguing work showing a video stream of looking out to sea 24 hours ago – he explains it better
Thursday, 6 September 2012
we got an exhibition - be great to see you there!

It's been a lot of work organising this show but it's finally coming together. The publicity's at the printers, the invites are going out and now it's just two weeks till we hang it and drink beer. And wine.
Coming from a musical background I get the idea of the event as gig, and yet it still feels strangely otherworldly when it's my own work going out there. Less in the moment and not as gritty - but interesting to create a space for people to come to, and look at stuff.
Sunday, 2 September 2012
I Confess
Started on the Hitchcock box set from last Christmas with "I Confess". It dips half way through but the suspense alongside the slide toward the moral dilemma of the sanctity of the confessional tells a great story without a shot wasted.
Wednesday, 29 August 2012
the boy and the field
Titling photographs is a challenge. Striving with the collision of image and text to bring a new choice of meanings without loosing the singularity of either.
Sunday, 19 August 2012
down up
A relentless practice of taking 2 photos every day throughout the school summer holidays, one up and one down, as near to midday as possible on the iPhone and then combining them into a diptych. Not too sure why, but once started it's hard to stop.
Sunday, 22 July 2012
Saturday, 21 July 2012
Friday, 20 July 2012
Thursday, 19 July 2012
Scan10089.jpg
From 1983 to 1985 while working in Bangladesh with VSO (Voluntary Service Overseas) I took photographs, mostly 35mm b/w but also some on slide film. I had them developed locally in Bangladesh and printed as contacts. 4 years ago I started scanning the negs, the quality wasn't marvellous but it was wonderful to see the pictures again. Here's the first scans.
More to come...
Tuesday, 17 July 2012
Plotting and Planing

8 of us from the course are planning to re show our work from last years documentary module. We exhibited it in May http://martindx.blogspot.co.uk/2012/05/a303-road-west_17.html and it looked good and we're planning to show it again, in town in September.
Friday, 13 July 2012
Funeral procession on Southwark Street

A funeral procession along Southwark Street this morning complete with brass band, a carriage and horses with black plumes. It felt like being in a film seeing it pass by, the mix of the everyday with the drama of the event. I took a few photographs and picked this for a first edit.
Later I hear it was a young actress, Natasha, who had died.
Monday, 9 July 2012
The tyranny of the university over my own trajectories and dream projects
"One day I will investigate the tyranny of the university over my own trajectories and dream projects, beginning with the way it has ruled over and overruled my body, beating down any healthy instinct, trampling the least cellule of creativity, but this problem does not move me now."
Avital Ronell from Loser Sons: Politics and Authority
Avital Ronell from Loser Sons: Politics and Authority
Friday, 6 July 2012
Hourly Group Photographs at Union Press
Flat Iron Photography Projects
Yesterday 5th July Christina, Jens and myself ran 2
photography projects in Flat Iron Square as part of the Union Press, a
temporary print space in Flat Iron Square. http://unionpress.cc/
In many ways the project pulled together a whole bunch of
important strands around my photography practice and is the most exciting art
project I’ve been involved in for ages.
Collaboration
Coming from a musical background collaboration is something
I've missed in photography. Working with Christina and Jens seemed like we were
more than the sum of three people working together -
Ideas
We had 2 quite different ideas - but they complimented each
other in an interesting sense - theirs punned on ironing in Flat Iron Square. First we explored and photographed the empty square early (7am) on a Sunday morning - the link with
printing also in the printing of the photographs onto little canvas squares
with the iron. Mine was all about filling the square with people - and as well
as providing a document of the day hour by hour it also required some action,
we had to drum up enthusiasm, call people over and make each photograph happen.
One photograph was taken each hour on an instant camera, the photograph in
effect printing itself there and then. I had toyed with the idea of taking the
photograph on digital - getting much higher quality, but it wasn't about that,
seeing the instant print appear still holds it's magic, people photographed the
print on their phones so they could send to friends.
Connections and communication
Often I end up finding photography to be a singular,
isolating activity. The photographer on the outside of events, wandering around
and endlessly watching, waiting for something deemed worthy of capturing.
Bringing nothing to the situation - it's all about a delayed gratification, and
one for the photographer and their selected audience alone.
This felt the complete opposite - we were catalysts in
bringing groups of people together, together stepping into a moment of drama
and often comedy. I talked to more strangers on the street than I have in ages.
And I loved the drama of acting the part of the photographer on the street -
and in the total transparency of the project - you can see the picture immediately,
and we also scanned some large on the photocopier and pasted them up on the
kiosk. People even came back later in the day to see their pictures. It seemed
like the act of photographing had become an encourager of dialogues and link
ups, non-threatening and amusing.
This weekend we'll be laying out 2 books for some speedy printing on Monday ready for the end of press showing of all the publications on Tuesday 10th 6pm http://unionpress.cc/?page_id=798
Tuesday, 3 July 2012
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